We have just heard that the “All Party Parliamentary Group for Classical Music” will attend todays concert at St John’s Smith Square
Back in July 2014 we were at Henry Wood Hall with Naxos, recording with Hilary Davan Wetton, Roderick Williams and the City of London Choir. The subsequent recording described as ‘an anthology of twentieth century British music on the themes of war and lost youth, set against a background of the English countryside and a centuries-old pattern of rural life,’ includes the premiere recording of Finzi’s Requiem da Camera in its new completion by Christian Alexander. It also features Oscar-winning actor Jeremy Irons, who provides the narration for Vaughan Williams’ haunting Oxford Elegy.
Released in early November, the recording entered the Classical Album Charts at No.2 and then climbed to Number 1.
To buy from Amazon, click here.
LMP Principal Double Bass player and conductor Stacey Watton will be presenting a Concert by Candlelight with the LMP on 30th November, 7.30pm at St Mary’s Church, Rotherhithe, SE16 4JE, with programme to feature Beethoven’s Symphony No.2, Barber’s Adagio for Strings and Brahms Violin Concerto.
But that’s not all ladies and gents… If you purchase a ticket for the 30th November (£20), you will gain FREE entry to Stacey’s ‘New Talent Conducting Showcase Concert’ on 29th November, 2.30pm at St Mary’s Church with the LMP. Programme will include excerpts of Mozart’s Sinfonia Concertante, Violin Concertos 3 & 5, and Tchaikovsky Serenade for Strings.
Reserve your tickets by calling 07811373415 or email firstname.lastname@example.org
On Oct 22nd the LMP recorded a new album with Claire “The Girl With The Golden Harp”. The album is due to be released on March 1st. Please let us know if you would like to pre order a copy
Claire Jones (born in 1985) is a Welsh harpist who held the title of Official Harpist to the Prince of Wales from 2007 to 2011.
Jones was born in Crymych, Pembrokeshire, and began playing the harp at the age of 10; she performed for the Queen and Duke of Edinburgh when she was 16. In 2007, she was one of the inaugural winners of The Prince of Wales’s Advanced Study in Music Award, and was appointed as the prince’s official Harpist for a 3-year term. During the previous year, she had won the harp solo at the National Eisteddfod of Wales, been a finalist at the Third International Harp Contest in France, and won the Royal College of Music Harp Competition.
The LMP has been invited to accompany the City Of London Choir conducted by Hilary Davan Wetton in a programme entitled “Music in Time Of War”
Finzi – Requiem da Camera
Haydn – Missa in Tempore Belli
Tippett – Five Spirituals (from A Child Of Our Time)
Butterworth – The Banks of Green Willow
see below the poster
Personal Recollections of Louise Honeyman
The ‘phone rang. “Is that Margaret Archibald?” “Speaking.” “It’s Louise Honeyman; are you free on…” Just one more musician fixed for a date, but for me this was the beginning of a professional and personal relationship that was quite literally to change my life.
It was Louise who booked me near the start of my career for the Thames Chamber Orchestra and the English Symphony Orchestra, often playing for choral societies; it was Louise who seized on my enthusiasm for the C clarinet, asked if I was interested in authentic performance and launched me on my career as a period instrument player with my first date a Prom with the Academy of Ancient Music; it was Louise who helped me make the arrangements to have a babysitter with me on the flights and in the hotels when I took my four-and-a-half month old baby to Toulouse, Paris and Geneva; it was Louise who facilitated the arrangements when Lina Lalandi needed my seven year old son to be a Prince on stage for Gluck’s Alceste in Monaco; it was Louise who invited me to be sub- Principal clarinet of the London Mozart Players under Jane Glover and who told the wind players that she wanted us to form a wind chamber ensemble because she thought we deserved it. Finally, for me most life-changing of all, it was Louise who invited me to set up the “first year” of education and community work when the LMP became resident orchestra in Croydon, setting me on a course that saw me obsessively run the orchestra’s education work for the next 21 years.
Louise was more than just a fixer, she was a friend, a counsellor in times of trouble, always there to talk through a problem whether professional or personal. She would fight her corner but equally would listen to another point of view. She was a woman with a mission, and if this meant sacrificing a house and garden in north-west London for a tiny attic flat above the office in Croydon, this was something she cheerfully undertook to do in order to pursue her goal of fostering and building the London Mozart Players. Louise’s devotion to the orchestra was absolute, and she was always at every concert, sitting backstage busy with administrative tasks and ready to deal with any queries, comments, opinions or worries. I remember the anniversary of German re-unification when she bought the entire orchestra lunch in Dresden, following our morning concert there before we set out on another long coach journey to Leipzig for a concert that same evening in the Thomaskirche. On another occasion Louise chartered a plane to get us home from Lyons using an out-of-the-way military airfield somewhere for a late-night flight. She came with us on the ferry to Boulogne for the Menuhin Competition, and on the way home soothed the French customs officials who suffered a complete sense of humour failure when the mother of a young Japanese soloist took flash photos at the border post.
Memories of Louise are inextricably bound up with mental images of David, her partner, with whom she made common cause, building a vibrant community from a disparate group of freelance musicians and showing the way that an orchestra can be embedded in its local community through its outreach work. I was so lucky and honoured to be trusted by Louise to develop the LMP education and community work, and I threw all my personal creativity and energy at the project. At first I referred to Louise for every tiny decision until the day when she said, “Margaret, I haven’t got time to answer all these questions, just sort it out!” I went on “just sorting it out” for more than two decades and gained a wealth of experience, meeting many inspirational people in schools, nursing homes, hospitals, hospices, kids clubs, youth clubs and local authorities, and above all working with many wonderful colleagues who remain my very closest friends and with whom I continue to work now under the banner of my new charity Everyone Matters. Louise is a hard act to follow but I hope I can make even half the contribution that she did.