On Thursday 14th July, 7pm, at St Nicholas Church, New Romney, London Mozart Players and Mousai Singers will give the World Premiere of The Shadows of War, by Paul Mealor; a co-commission by JAM and the Welsh Proms. The Shadows of War is the Festival Commission for JAM on the Marsh 2016, on Kent’s Romney Marsh. This deeply moving and contemplative work will be joined works by Warlock, Vaughan Williams, Elgar and Britten.
The Shadows of War commemorates the centenary of the Battle of the Somme, when Europe was in turmoil, as it is today. The Shadows of War is based on the original mass setting which creates the structure of this piece. Dr Grahame Davies, distinguished poet, has written highly poignant, meditative poems on the texts of the mass which cause us, the listener, to question our actions and principles. The Shadows of War is not a glorification of war but of the sacrifices people made then, as they do today. People fought for what they believed in and were prepared to make the ultimate sacrifice to make a better world. By setting this to music, The Shadows of War will create a state of remembrance.
Paul Mealor writes “The choir will represent all those who made, and are making, the sacrifice, accompanied by the subtle, gentle purity of the strings, as is fitting with a meditation.
- The Kyrie conveys the despair of Abraham sacrificing his only son, as so many did for their country.
- The Sanctus is written in Hebrew, asking God is this (warfare/persecution/destruction) really what you want, causing us also to question our actions. Setting this part in Hebrew produces a beautiful choral sound as well as uniting cultures.
- The Benediction is a prayer for peace and companionship, urging us to embrace the stranger, not to fight.
- The Agnus Dei appeals to us to give shelter and “forgive the hands that hold the knife.”
- In Paradism confirms that in the end we all die, reminding us that we are no different from each other.
The Shadows of War aims to embrace all faiths and therefore direct links to Christianity have been taken out. This is not a religious piece; it is a concert piece that I hope provokes thought and compassion.The current flight of refugees shows the horrendous impact of war, on those who are fighting, and the millions who are persecuted and forced to flee. We need to come together and find solutions. Music can help unite people and dispel anger. In an abstract connection, we are reliving the turmoil of the Somme.”